Simon is under theballoon to get a "name" to re-record the jingle for the remake of their best client's classic commercial or risk losing them.

Simon encourages Sydney to think big, bold and spectacular on an ad campaign, but results are not what she had hoped. Andrew's desire for Simon's approval leads him to an un-glamorous project that he surprisingly enjoys and has the side benefit of making Zach jealous.

When a focus group makes Simon realize he has been a bad dad, he decides to try to make it up to Sydney by teaching her how to drive. Andrew decides he will no longer be Zach's ramora, by no longer feeding off Zach's castoffs.

The gang struggles with a campaign when the meeting is moved up and their brainstorming session starts getting personal.

When a worldly client, Helena, comes to town, Sydney, Zach and Simon each compete for her attention, but when things turn to a sexual nature, they realize they may know too much about each other.

When Simon is nominated for the prestigious Impact Award for Advertiser of the Year, Sydney is surprised to find that her high school crush is in direct competition for the award against her father.

An infatuated ex-co-worker of Sydney's writes a stalker-ish song about her. Meanwhile, Simon struggles to pitch the Australian Tourism Board, the location of his final bender.

Simon is intent to make things right when his partner, Gordon Lewis, forces him to give up his very first client when it conflicts with another account.

Someone's job is on the line at the annual Accounts vs. Creatives 16-inch softball game, and the truth about Simon's last epic win threatens to surface.

While Simon and Gordon disagree on compromising their values to land a lucrative client, Lauren gets stuck in the multi-million dollar Victoria's Secret Fantasy Bra.

When the bratty daughter of an important client becomes the latest intern at Roberts and Roberts, Syndey's insecurities resurface.

Sydney becomes a video-game addict after Simon's mix-up has her working on a video-game account.

Simon gives Lauren a chance to work with a big client facing a PR disaster when the rest of the office comes down with the flu.

When the agency's new research analyst defeats Simon in a creativity contest, Zach and Andrew work together to help Simon get his groove back. Meanwhile, Sydney worries that her new attachment to a cat will ruin her chances with future human relationships.

A woman asks Simon to eulogize her deceased father, a jingle writer who was not a well-liked man.

Simon throws a Bar Mitzvah for a client's son, but the celebration may go awry thanks to Zach, who has an unexpected encounter with the only woman he ever loved.

Simon's desperation for grandchildren forces him to interfere with Sydney's new relationship. Meanwhile, Zach and Andrew try working with other partners.

Simon's hatred for all things related to St. Patrick's Day is exacerbated when Andrew's rowdy and spirited sisters descend on the office to celebrate the holiday.

Trying to channel Simon, Zach overpromises on a pitch and must get Brad Paisley to sing a jingle written by Danny Chase.

Simon's promising new relationship is tested when he becomes disillusioned with love after Gordon and his partner break up.

Simon and the team try an out-of-the-box idea in order to save a library from being shut down, and Gordon literally becomes the unwilling poster boy for the campaign.

When a corporation wants to buy out Lewis, Roberts+Roberts, Gordon calls in the board to vote, and Simon's ex-wife and Sydney's mom has the final say.